375 Free Artworks of Hand Colored Lithograph On Paper

the aboriginal portfolio lithographs in the smithsonian american art museum smithsonian american art museum james otto lewis hand-colored lithographs in the british museum british museum ojibwa people national gallery of art ho-chunk prints by carle vernet

James McNeill Whistler, William Nicholson

prints in the aberdeen archives, gallery and museums collection william newzam prior nicholson

Chon-Ca-Pe, Henry Inman, 1837

lithographs in the national gallery of art (washington, d.c.)academic art

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Tah-Ro-Hon, An Ioway Warrior, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

MAUCK-COOMAUN; A Celebrated Ioway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Keokuk, Chief of the Sacs and Foxes, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

RICHARDVILLE; The Head Chief of the Miami Tribe of the Indians, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Rufous-breasted Bamboo Partridge (Bambusicola Hyperythra), John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

Her Royal Highness the Princess Alice., Richard James Lane, between 1857 and 1858

hand-colored lithographs in the british museum princess alice of the united kingdom in 1857

Bird of Paradise (Paradisea apoda), William Matthew Hart, published 1875-1888

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-CHE-KA-KAT or the Bad Hawk; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-KO-ME-TA or the Bear’s Oil; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CUT-TAA-TAS-TIA; A Celebrated Chief of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Drury Lane Rags, James McNeill Whistler, 1888

prints by james mcneill whistler in the national gallery of art (washington, d.c.)aestheticism

Payta Kootha, a Shawnee Warrior, Albert Newsam, 1836

lithographs in the national gallery of art (washington, d.c.)albert newsam

Piedmontese Shepherdess from the Aosta Valley, Hippolyte Lecomte, 1818

hand-colored lithographs in the british museum lithographs of women

La Menagerie Imperiale, 1871

hand-colored lithographs in the british museum la ménagerie impériale

La Menagerie Imperiale, 1871

hand-colored lithographs in the british museum la ménagerie impériale

La Menagerie Imperiale, 1871

hand-colored lithographs in the british museum la ménagerie impériale

Chasseur à pied, Hippolyte Bellangé, 1824

hand-colored lithographs in the british museum hippolyte bellangé

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Politics in an Oyster House, Michele Fanoli, 1851

lithographs in the national gallery of art (washington, d.c.)michel fanoli

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KAA-NUN-DER-WAAGUINSE-ZOO or the Berry Picker; A Famous Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Clarens, Vernex, Montereux, Chillon, Villenueve, Frédéric Sorrieu

hand-colored lithographs in the british museum lake geneva in art

The Farm-Yard in Winter, George Henry Durrie, 1861

lithographs in the national gallery of art (washington, d.c.) from the united states prints after george henry durrie

Lottery ticket seller, Carle Vernet, between 1816 and 1836

hand-colored lithographs in the british museum prints by carle vernet

Well, come on,...don't shout anymore., circa 1830

hand-colored lithographs in the british museum jean gabriel scheffer

Le Monument à Lucerne

hand-colored lithographs in the british museum lemercier & cie.

TENS-QUA-TA-WA or The One Who Opens the Door; Shawnese Prophet (Brother of Tecumthe), from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-KUCK or The Watching Fox; The present Chief of the Sauli Tribe and the Successor to Black Hawk, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAC-CUT-I-MISH-E-CA-CU-CAC or Black Hawk; A Celebrated Sac Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Panorama of Mont Blanc from La Flégére in Chamonix, Charles Louis Müller

hand-colored lithographs in the british museum academic art

Qua-Ta-Wa-Pea, A Shawnoe Chief, Albert Newsam, 1838

lithographs in the national gallery of art (washington, d.c.)albert newsam

Marchand de journaux, Carle Vernet, between 1816 and 1836

hand-colored lithographs in the british museum prints by carle vernet

Lille, 1840-1880 (circa)

hand-colored lithographs in the british museum lemercier & cie.

Marchand d'almanachs, Carle Vernet, between 1816 and 1836

hand-colored lithographs in the british museum prints by carle vernet

Baron, as Cinna, Hippolyte Lecomte, 1820-1824 (circa)

hand-colored lithographs in the british museum michel baron

Print, 1851

hand-colored lithographs in the british museum victorian architecture

Print, 1851

hand-colored lithographs in the british museum victorian architecture

John Barton Esqr, Maxim Gauci, 1818-1837 (circa)

hand-colored lithographs in the british museum prints by maxim gauci in the british museum

Women's shoe seller, Carle Vernet, between 1816 and 1836

hand-colored lithographs in the british museum prints by carle vernet

John Banvard by Charles Baugniet, 1849, hand-colored lithograph with tintstone on paper, from the National Portrait Gallery - NPG-NPG 83 178Banvard-00000, John Banvard

charles baugniet john banvard

Subject: Oyster seller, Carle Vernet, between 1816 and 1836

hand-colored lithographs in the british museum prints by carle vernet

Marchande d'oeufs, Carle Vernet, between 1816 and 1836

hand-colored lithographs in the british museum prints by carle vernet

A View of the Butte Des Morts Treaty Ground; With the Arrival of the Commissioners Gov. Lewis Cass and Col. McKenny, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

American Winter Scenes: Morning, Frances Flora Bond Palmer, 1854

lithographs in the national gallery of art (washington, d.c.)frances flora palmer

Mlle Heinefetter, Henri Grevedon, 1830

henri grevedon romanticism

Marchande de chataignes, Carle Vernet, between 1816 and 1836

hand-colored lithographs in the british museum prints by carle vernet

Marchand d'artichauds, Carle Vernet, between 1816 and 1836

hand-colored lithographs in the british museum prints by carle vernet

Mrs. Albert, from the Théâtre des Nouveautés, Henri Grevedon, 1829

henri grevedon romanticism

The Death of Major Ringgold at the Battle of Palo Alto..., by Kelloggs & Thayer, 1846, hand-colored lithograph on paper, from the National Portrait Gallery - NPG-NPG 97 19

kelloggs & thayer samuel ringgold

Passing the Rubicon by Eliphalet M. Brown after Peter Bernard William Heine, 1855, color lithograph with hand-coloring on paper, from the National Portrait Gallery - NPG-8200260B 1, Eliphalet Brown Jr.

perry expedition by eliphalet brown jr.perry expedition in art

Prison Sketches. Comprising portraits of the Cabul prisoners, and other subjects, Lowes Cato Dickinson, 1843

prison sketches. comprising portraits of the cabul prisoners, and other subjects hand-colored lithographs in the british museum

Laffitte, Caillard and Co. Messengers, Victor Adam, 1841-1844 (circa)

hand-colored lithographs in the british museum diligences in france

Marchande de saucisses, Carle Vernet, between 1816 and 1836

hand-colored lithographs in the british museum prints by carle vernet

Across the Continent: "Westward the Course of Empire Takes its Way", Frances Flora Bond Palmer, 1868

lithographs in the national gallery of art (washington, d.c.) from the united states frances flora palmer

Wooden clock merchant, Carle Vernet, between 1816 and 1836

hand-colored lithographs in the british museum prints by carle vernet

Go your way! - Go your way!, 1833

hand-colored lithographs in the british museum lemercier & cie.

Le Roi Candaule, Achille Devéria, 1830

hand-colored lithographs in the british museum romanticism

Le Roi Candaule, Achille Devéria, 1830

hand-colored lithographs in the british museum romanticism

Ms. Léontine Fay, from the Theatre of HRH Madame, Henri Grevedon, 1829

henri grevedon romanticism

First Landing of Americans in Japan by Eliphalet M. Brown after Peter Bernard William Heine, 1855, color lithograph with hand-coloring on paper, from the National Portrait Gallery - NPG-8200268B 1, Eliphalet Brown Jr.

perry expedition by eliphalet brown jr.perry expedition in art

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